Rain

Some time ago when I was first researching the possibility of a move to Newcastle I stumbled across a fact that almost put me off the place. According to the brilliantly inspired source of fictional knowledge known as Wikipedia, Newcastle is one of the driest cities in the UK, with an average of only 121 rainy days per year.

Now I say this is something that almost put me off the city as I am a man who likes his rain, however I can confirm that this fact is utter rubbish. It’s rained here non-stop for over a week now. In fact I was almost laughed out of town by estate agents I was brave enough to share this nugget with.

To honor the weather in verse I headed to the Lit & Phil yesterday evening for a reading by some of the UK’s top poets including Don Paterson, author of 2009 Forward Poetry Prize winning collection ‘Rain.’ Incredible to see three giants of contemporary poetry (w/ Jo Shapcott and Sean O'Brien) in support at this fundraiser for the beautiful Lit & Phil which is in need of various improvements to bring the 1825 built library in line with public expectations.

Meanwhile, the rain keeps falling…

Joanna Newsom @ The Sage, Gateshead

Joanna Newsom has always been a surprise. From the time in Cambridge where Melanie and I sat entranced listening to an enthusiastic barman describe his latest find, ‘The Milk Eyed Mender,’ to the time I discreetly heard rumour of a three disc extravaganza appearing in under a month (‘Have One On Me’) to the time I stumbled upon her performing at The Sage in Gateshead following a haste move to the North.

Seeing Newsom in person is another surprise itself. Once master of playful childish voices, her voice has now grown stronger and more commanding and the three-minute ditties of ‘Milk Eyed Mender’ have given way to lavish fantasy fueled classic arrangements (courtesy of musicians and composers Ryan Francesconi and Neal Morgan). ‘Y’s’ was a vast departure when it hit the shelves in 2006, containing sixteen-minute tracks that had more in common with prog rock than the folk-pop brush critics usually used to describe her sound.

I have to mention the poetry of her words, ‘your soul is something I stir into my tea’. Small gems thread into detailed and arguably personal adventures. ‘In California’ she seemingly dismisses her early stuff ‘My home, on the old Milk Lane/where the darkness does fall so fast/it feels like some kind of mistake’. Her words shape-shift and envelope you till you can’t ‘remember your own name’ to quote set highlight ‘Good Intentions Paving Co,’ a song that sends shivers through my face everytime she wavers into ‘and the tilt of this strange nation,’ before the track polishes off with a fantastically hazy trombone solo. In a special touch the violinists downed bows to click their rings against empty bottles of Newcastle Brown Ale, a nice nod to the locals.

In a set drawing heavily from ‘Have One On Me’ Newsom also dusted off ‘Inflammatory Writ’, ‘The Book of Right On’ and ‘Peach, Plum, Pear’ as well as ‘Cosmia’ and ‘Monkey & Bear’ from ‘Ys’. A perfect set would it have been if only she had included ‘Baby Birch’ and ‘This Side of the Blue,’ but that gives me an excuse to see her again one day.

Supporting Newsom, who brought him out of ‘semi retirement’ was folk legend Roy Harper. Still strong after 40+ years in the music business Harper treated us to a range of classics from 1970’s release ‘Flat Baroque and Berserk’ including ‘Don’t You Grieve’ and ‘Francesca’ to more modern releases like ‘The Green Man’. All tracks were accompanied by top introductions and political/spiritual disagreements with the topical Papal visit, Harper rather slyly enjoying the Pope’s label for us atheists as ‘militant extremists’.

All round a fantastic night, and my first proper gig in the Newcastle/Gateshead area. It’s important though to state this gig at the Sage was on the southside in Gateshead, where we’ve recently lost a car park. Make sure you don’t mix the two up…

Jog on the Tyne

Imagine fifty four thousand people running across a bridge. Next consider their clothing, a Bananaman outfit perhaps? Or a well built fella in a tutu, a bumble bee suit, Batman and Robin, a unicorn hat, where’s wally, panadas, firemen, donkeys, matching chickens? Then conjure the sounds, the chants, the claps, yells whistles and bells, the oggy oggy oggy’s and the oi oi oi’s, a band playing Georgie folk tunes on a roundabout in Gateshead, a drumming group and the piecing overhead cry of the red arrows dispersing red white and blue over the Tyne, and you get the 30th Great North Run from Newcastle to South Shields, the North’s answer to the London Marathon.

It can get a little rocky on the Tyne bridge as the joggers still fresh after a mile in clamber over to the clapping revelry of watchers and supporters. At points its like being on a boat as it bobs along the waves.

Since beginning in 1981 the Great North Run is the largest half marathon in Europe, and estimates that over 1 million runners will have completed the course by the time it reaches its 35th anniversary.

Up with the larks this morning to take pictures I was greeted all round with good spirit, and being new to Newcastle it was a welcome pleasure in contrast to my London roots. The run really is an institution up here and one I hope to participate in this time next year. A jog on the Tyne sure is all fine, all fine.

Anthony Joseph in Soho

At the same wonderful Apples & Snakes gig where I filmed Joolz Denby, was poet, musician and academic, Anthony Joseph, reading from his most recent collection ‘Bird Head Son’. Taking for his theme his Trinidad roots, the book explores family, ancestry, language and the mythology of the Caribbean island all in Joseph’s surreal and musical style. You can buy 'Bird Head Son' direct from Salt Publishing here.

Here he reads and discusses ‘Jack Spaniard nest'.

I hung my head

I’ve been re-listening to Johnny Cash’s American recordings this week and there’s a cover of a Sting track (from his 2002 album ‘Mercury Falling’) that strikes me as particularly relevant. On first listen it’s a murder ballad telling the story of a young man who upon taking his brother’s rifle accidently shoots a man.

The perpetrator claims he was practising his aim when the rifle went off without intent to shoot the lone rider on the prairie, similar to that of a gang of youths intent on scaring another when one accidently knifes the other and leaves one of them dead. ‘I hung my head’ is a story about shame, it’s a warning to think before you act. The protagonist didn’t want to kill anyone, his thrill was the role play of the situation. Although when playing with dangerous instruments so carelessly the situation will inevitably end in tragedy.

To me this song should be taught in schools. Don’t be foolish, don’t carry knives or guns, don’t pretend to hurt people or practise your aim, because inevitably it will end in tears, shame and a public stoning from the tabloids (modern day Gallows if you will?). Think before you act! There, rant done for the morning.

Joolz Denby in Soho

Recently I was tasked with helping Apples & Snakes with a new filming project. The challenge was to create a film of a poetry reading that varied from the traditional 'front on' approach with a static poet square in the centre. We also wanted to make it as clear as possible to the audience what the poem was actually about.

So, we asked the poet to tell us about the poem, then we filmed them from two angles to add a bit of diversity into the mix. First up was Joolz Denby...

Joolz Denby performs 'Smoking Joe' from Apples and Snakes on Vimeo.

Trashed Exultations

So my Keyhole followers, I’ve been absent for a while I know. But it’s been for a very good reason.

Last night saw the first ever Trashed Organ event. You may remember I rambled on about this organ from Clerkenwell Green a few months ago, but since then the beat up musical instrument became a idea for an event, which became a night of poems and music, which actually happened.

Our colosseum? The eclectic Duchess pub overlooking the industrial splendor of Battersea Power Station that held court to a ramshackle parade of ditty day dreamers, gramma correcting, cock jangling, love struck writers.

We had stories of house hunting colonists on safari, fabric softeners and horrendous chat-up lines, Bakerloo and Victoria, sausage sandwiches, Norton Cannes, piratical marketeers, south London chav lads sprouting angel wings and the charming rustic rhythms of A Polystyrene Hat.

With a line up boasting Courttia Newland, Katie Bonna, Ben Gilbert, Sam Peczek, and fellow organ grinder Rob Haughton the night far exceeded all expectations.

So, thank you’s are due to our fantastic audience who gave up a World Cup Wednesday to come to our trashed delicatessen half a mile from the nearest tube. Please accept our trashed exultations! We also thank you for taking part in our fancy little game, ‘Trashed Laureate’. Congratulations are in order for the winner of a bottle of our home brew port with the line ‘The elephant man was ok. He was just born in the wrong dimension.’ Truly profound.

So what next I hear you cry over a violin stringed moment of off-key bliss? Stay tuned our trashed friends, for Trashed Organ 2: Judgement Day, coming soon…

Punk Magazine

I stumbled across this video the other day of Punk Magazine founders, John Hallstrom and Legs McNeil (resident punk) talking about the infamous 70s fanzine in NYC. I admire their DIY ethos and the ‘just whack it’ approach, to which the interviewer can’t quite understand where they get the funds to keep the enterprise running. There are some amusing comments towards the end about ‘London kids’, to whom punk is only fashion, “Would you want a safety pin up your nose?” and “They’re all morons.”

All in all, the sarcasm adds to the image and help creates an inspiring document for anyone who wants to make and distribute something themselves. Although I do think they're hiding something...

Spilt Milk

A weekend treat to go down with the sun. A new and exciting bundle of chapbooks, pamphlets, and micro anthology’s to review for Hand & Star. I like it when poems arrive in short punchy bursts, an afternoon long package that can be devoured, critiqued and praised over a few short Sunday hours with a glass of water and a bourbon biscuit.

In other news my poem ‘July’ features in issue 2 of the delicious 'Spilt Milk', a culinary platter of warm foamy words, which can be viewed online here, enjoy!

A Plate of Chicken

During a recent trip to NYC I stumbled across NoLita bookshop McNally & Jackson. Amazed at a poetry section that gave more shelf space to poets I’d never heard of I pulled out the rather square shaped book of Matthew Rohrer’s gastronomically titled ‘A Plate of Chicken.’ Inside were sixty-one pages given over to a collection of seven line stanzas, acting as the spinal vertebrae of one continuous poem drawn over a long hot New York summer.

At first glance it’s a random assembly of lines that have little coherence with each other, that read more like catharsis for the author, purging the substance of his mind to fill the chicken bones with meat (the book doubles as a flick-book, depicting the devouring of a plate of chicken). But look again and see the first and last lines of each seven line stanza conclude with the same word, weaving a small theme into every poem;

If you don’t pay attention you’ll slip into a hole.
Don’t we all understand evil?
I knelt to the floor to stare at the baby.
Infinite variation in each moment. We’re home.
Coffee smells better than riches.
I like to lie back and think of my next job.
I plan an elaborate leap into a deeper hole.

It’s full of poetic instructions and garbled imagery, and at times Rohrer takes the role of throwaway philosopher for the mundane. ‘The gate to hell is through the loop of a neck tie.’ Cleverly crafting one-liners that you'll want to add to your facebook status. Although Rohrer’s meal can be a tough one to chew at times, with his penchant for one liners that read like quotes on the back of witty birthday cards, he delivers some hugely stimulating ideas;

My function, is to be in love between two people who hate each other.

Rohrer himself states, that the chicken title seemed right to put across his attempt to unite poetry with the mundane and everyday, rather than attempting to be prophetic. For him, poetry is a way to explore the normality of life, spilling out hundreds of poems in a few days just like the hundreds of words we use everyday to explain whatever it is we do.

There is no resolution to anything in ‘A Plate of Chicken’. The meditative nature of these lines give us little insight to the normality of the poets life, but remind us their existence isn’t to change anything, but to just live on. The book has so many great lines it’s hard to pull a quote that does it justice, although there is one that has stuck with me, and seems to live up to the instructional, philosophical, mundane tone the poems favour, and makes me want to give it a go.

When all hope seems lost, write your name on paper and flush it down the toilet.